Which is nice because it means you can take a good amp and make it better later, and it won't cost a fortune.Įditor’s note: Celestion also have a ‘ guitar speaker selector’ on their site if you want to check out other speakers too.Īll in all, if you don't have a lot of money and want a quality amp, hit the used market as you get twice the value you'd get if you buy new gear. The modification isn't necessary, but just makes it sound even better. It’s also still portable, and plays loud enough for any smaller venue (and on bigger venues you'll mic it up anyway). With the bright cap removed, tubes changed and the speaker changed to a Celestion Vintage 30 (which are cheap) it sounds very, very good. But generally the best lower price tube amp is a Fender Blues Junior. The best choice of amp depends on your style of music, your specific needs to clean sound, dirty sound, reverb, and so on. It’s far from anything that will be usable everywhere. I've played blues live on stages for 24 years and have tried a ridiculous amount of amps and rooms. Halfway second set, you will run out of volume while the rest of the band keeps going. The sound disappears more, your amp needs to cut through the mix better and the audience function as a dampening element. Experience has taught me that anything below 15 watts better be A tubes if it's going to get heard, which limits the available amp choices quite a bit if you want to keep the price under $500 bucks.Īnd yes, I know people claim “My 10watt amp plays super loud and can totally be heard in the rehearsal studio” – and that's nice, but on a stage in a venue, the demands are higher. When it comes to performing, you want a tube amp which can play loud enough to use on a stage with a drumkit. Thanks for sharing your experience Jakob. He’s given a setup option which is over $500, but in his opinion the best lower priced live performance set up if you’re not currently able to spend the big bucks. This section is brought to you by reader Jake Green (with minor edits done).
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